Financial topography of Hollywood is surprisingly simple. The market has long and firmly hold the largest studios. They have something in the ground and invest in production. As independent companies, then removing the film on their own or borrowed funds, they are often forced to come to pay homage to the same majors. Or sell them your goods, or give to the distribution. For example, it was with “Little Miss Sunshine” and many other micro-finance ribbons.
For the same circuit built around the relationship studios and the players, who made a movie on their hard-earned and dreaming that he saw the world. Reasonable question: is it possible to do without the services of an intermediary? You can, of course, but in this case your movie, even the most brilliant, waiting in America, a sad fate for a needle in a haystack. The best we are capable of art-house distributors, is to produce a small number of copies and show the film in a few specialized cinemas.
Large studios are never left in burnout. But they are also assuming serious risk. Whatever may have been meager budget of the film rolled, in marketing need to invest millions and even tens of millions of dollars. Therefore majors reserve for himself from 10 to 20 per cent of box office receipts, and they take away from their first ticket sold, and has not played its part, outside investors will not see a dime. |
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